If there was ever an era that fit the Bond aesthetic in The Hitman’s Wife’s Bodyguard, it would definitely be Sir Roger Moore’s. Yes, Thunderball feels like a huge influence, as it hits some of the same thematic materials from that film. Antonio Banderas’ Aristotle Papadopoulos feels like a sillier version of Emilio Largo, right down to his plot to hold Europe for ransom if his demands aren’t met. Plus, the entire final showdown takes place on the villain’s yacht, which again, is totally Thunderball.
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